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THE DAY I BECAME A WOMEN (Roozi ké zan shodam)
by Marzieh Meshkini, Fiction, 78', 2000, 35mm, IRAN
With Fatomeh Tcheraghakhar, Hassan Nebhan, Shabnam Toluoi.
Three stories: in the first a 9 year old girl tries to stay free despite the customs and
the weight of tradition. In the second, a young wife also tries to gain some new
freedom, but her husband, her brothers and the people around her stand in her
way. In the third, an elderly woman wants to make her dreams come true, she is
on her own, but she decides to go to all way to the end… « These women are in
a certain way confined to their houses, not because they are not loved, but because
people want to protect them from the outside world. » (Marzieh Meshkini).
MARZIEH MESHKINI
Marzieh Meshkini was born in 1969 in
Teheran. After having studied cinema
during two years at the Mohsen
Makhmalbaf school. She then works as
assistant director in La Pomme (1998) and
Le Tableau noir (2000) by Samira
Makhmalbaf and Le Silence (1997) as well
as La Porte (1999) by Mohsen
Makhmalbaf. Le Jour où je suis devenue
femme is her first feature film, followed
by Chiens égarés in 2005. |
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